TRANSLATING THE DRAMATIC TEXT

Authors

  • Eduarda Maria Ferreira da Mota

DOI:

https://doi.org/10.34630/polissema.v0i15.2976

Keywords:

Dramatic text, playability, reader-oriented translation, public-oriented translation, dramatic potential

Abstract

This article studies the translation of dramatic texts and its particularities. It focuses the double status of drama as verbal text (for the reader) and audiovisual experience (for the spectator) and considers the translating strategies that are reader-oriented and those which are performance-oriented. Finally, it presents the concept of dramatic potential, proposing a subdivision of the concept and its application to the reflection and analysis of the translation of dramatic texts.

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Published

2019-04:-03

How to Cite

Mota, E. M. F. da. (2019). TRANSLATING THE DRAMATIC TEXT. POLISSEMA – ISCAP Journal of Letters, (15), 31–46. https://doi.org/10.34630/polissema.v0i15.2976

Issue

No. 15 (2015)

Section

Research Articles

License

Copyright (c) 2015 POLISSEMA – Revista de Letras do ISCAP

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

https://creativecommons.org/licenses/by-nd/4.0/legalcode